These works begin as photographs of light, completely black monochromes. No image has been excluded.
What is under my sink is not good for photographs. A solution of these coursing over that monochrome destroy finality with inflected choice – a photojournalist record of agency – low-tech and in living color.

Meltdown 53
Meltdown 61
Meltdown 47B
Meltdown 22
Meltdown 18